Interview with Hannah Holt

Hannah Holt is just your everyday children’s author… with an engineering degree. Her books, The Diamond & The Boy (2018, Balzer+Bray) and A Father’s Love (2019, Philomel) weave together her love of language and science. She lives in Oregon with her husband, four children, and a very patient cat named Zephyr. She and her family enjoy reading, hiking, and eating chocolate chip cookies.

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Can you tell me a little about yourself?

First, thanks so much for hosting me! From the time I was little, I enjoyed writing and telling stories. In fourth grade, I wrote forty pages of my first attempted novel. As a teen, I created elaborate bedtime stories for the children I tended. However, my family is full of scientists and engineers. I didn't know the first thing about writing as a career, so I majored in engineering. It wasn't until years later that I submitted my first manuscript to a publisher.


Can you tell me about your new book coming out?

My book, A Father's Love, celebrates animal dads around the world. There's also a secondary layer of exploring colors in different habitats. From the jacket flap:

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Throughout the animal kingdom, in every part of the world, fathers love and care for their babies. This book takes readers around the globe and across the animal kingdom, showcasing the many ways fathers have of demonstrating their love. Whether it's a penguin papa snuggling with his baby in the frosty white snow, a lion dad playing with his cub in a yellow field, or a seahorse father protecting his young inside his pouch in the deep blue ocean, we see that a father's love comes in all shapes, sizes, and colors.

Kirkus calls it, "A sweet bedtime book about fathers and how their “love is everywhere.”

I dedicated this book to my husband, but really it's for all dads.

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What were your books inspired by?

As I mentioned earlier, my family is very science-focused. In fact, my first book, The Diamond and the Boy, is a biography of my inventor grandfather, H. Tracy Hall. Maybe science is in my DNA. Maybe I'm just curious about the world, but the manuscripts I write tend to be nonfiction or informational fiction. There's so much to explore about the world, and I want to know it all.



How have the illustrations for your books matched up with what you originally imagined them to be?

I usually don't have a firm vision for what the illustration style should be. My illustration ideas are more like a dream--vague ideas of what could be. I feel very lucky to have been paired with amazing illustrators like Jay Fleck and Yee Von Chan.

Did you always want to be a children's book writer?

No. Despite my love for writing and storytelling, I didn't believe I was very good at it. I applied for honors English almost every year in high school and was rejected a lot. My senior year, I didn't even apply for the program. My handwriting and spelling lagged behind my peers, and my teachers let me know it.

I thought I would spend my life designing bridges. If you told me twenty years ago I would be where I am now, I probably would have laughed. I didn't know "professional children's book writer" was a possibility for me.

What is your favorite picture book?

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Instead, can I tell you about a book that hasn't been released yet? I first heard about A Small World by Ishta Mercurio back when it sold. The book description is lovely, and I can't wait for it be released this summer:

When Nanda is born, the whole of her world is the circle of her mother’s arms. But as she grows, the world grows too. It expands outward—from her family, to her friends, to the city, to the countryside. And as it expands, so does Nanda’s wonder in the underlying shapes and structures patterning it: cogs and wheels, fractals in snowflakes. Eventually, Nanda’s studies lead her to become an astronaut and see the small, round shape of Earth far away. A geometric meditation on wonder, Small World is a modern classic that expresses our big and small place in the vast universe.

Where can we find you online?

Twitter: @hannahwholt

Website: https://hannahholt.com/


Thanks for joining us, Hannah!

Interview with Stacy Innerst

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Stacy Innerst is an acclaimed artist, illustrator and arts educator. He was born in Los Angeles and studied Art and History at the University of New Mexico.

His picture books for children have earned a host of starred reviews as well as numerous awards, including a 2017 NY Times/NY Public Library Best Illustrated Children’s Book Award (for Ruth Bader Ginsberg), the 2017 SCBWI Golden Kite Award for Picture Book Illustration (for The Music in George’s Head), the BCCB Blue Ribbon, two Parents’ Choice Gold Medals and recognition by the NY Society of Illustrators, the Smithsonian and the American Library Association, among many others. M is for Music was named a 2003 Best Book of the Year by the School Library Journal and Levi Strauss Gets a Bright Idea was a Publishers Weekly Best Book of 2011. His paintings and prints have been exhibited widely in New York, California and throughout the United States and abroad. He lives in Pittsburgh.

The artwork for your pictures books is very unique. How did you develop that style of art?

I’ve always had a painterly, loose style and I studied painting and printmaking in college so that carried over into my work as an illustrator. I never really set out to develop an illustration style, per se, but I suppose I have over the years.

It’s more a function of doing what comes naturally and making pictures that I find pleasing rather than settling on a style. I love the way paint looks when it’s brushed onto a surface so that dictates pretty much everything I do.

How much planning and research do you do before you actually start painting?

The research component of my nonfiction picture books is actually quite time-consuming, but it’s also quite fun. The historical research leads me in directions that I might not otherwise go in picture-making. Part of my process is watching films that are set in the period I’m illustrating or researching the art and music of the era.

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Which picture book was your favorite to work on?

I’ve liked them all for different reasons, but The Music in George’s Head was especially gratifying. I really liked being able to visually represent Gershwin’s music. It was a kind of visual poetry for me.


Who is your favorite illustrator?

If I have to pick just one children’s book illustrator, I’d say Edward Ardizzone or Leonard Weisgard, I think, but it’s tough! Tough question! It changes from day to day. A few of my favorite artists and illustrators, in no particular order: Vladimir Radunsky, Quentin Blake, Robert Lawson, Carson Ellis, Wanda Ga’g, Sydney Smith, Edward Gorey, Eva Bednářová, Roger Duvoisin, William Joyce, Oliver Jeffers, Lopez Rubio, Leonard Weisgard, Antonin Clave, Pablo Picasso, Edward Ardizzone, Ludwig Bemelmans, Sean Qualls, Willem de Kooning.

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Do you have any upcoming books?

I’ve recently completed two picture books and the cover and interior illustrations for a middle grade chapter book. They should all be out next year. They are:

Saving Lady Liberty: Joseph Pulitzer’s Fight for the Statue of Liberty, by Claudia Friddell, Calkins Creek

The Book Rescuer, by Sue Macy, Simon and Schuster

The Mostly True Story of Pudding Tat, Adventuring Cat, by Caroline Adderson, Groundwood Books.

I’m super excited about all three! They’re wonderfully written books by excellent authors.

Where can your fans find you?

I’m on social media-- mostly on Instagram but also Twitter and Facebook --@stacyinnerst. My website is stacyinnerst.com.

Thanks so much for joining us, Stacy!!